“The Princess and the Frog” unexpectedly made me ugly cry — not your run-of-the-mill, “that-was-cute-but-only-mildly-compelling” eye-water and not because everything gets neatly tied with a bow at the end. No, the movie induced full-on heaves that let out with them my complete appreciation of its extremely lovable characters, its beautiful visuals, its imaginative plotline and its thorough exploration of a culture previously little-known to me

The film is not your typical bloody horror flick, where the main purpose is to create scares in unique new ways, over and over again.

Fifty years since its release, “Midnight Cowboy” remains a monument to artistic risk.

One of the greatest things about reboots is that, we are not restricted to the same vanilla ideas as before, and we have something new to compare it to, bad or good.