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Home Culture Art

Grasping Gold: The Ram Predicts

by The Fordham Ram
January 18, 2021
in Art
0
Grasping Gold: The Ram Predicts

This film image released by Warner Bros. Pictures shows Ben Affleck as Tony Mendez, center, in "Argo," a rescue thriller about the 1979 Iranian hostage crisis. The Warner Bros. thriller, directed by and starring Ben Affleck, had been sitting at No. 2 the past two weeks. It made just over $12 million this past weekend for a total of $60.5 million, according to final studio figures Monday, Oct. 29, 2012. (AP Photo/Warner Bros., Claire Folger)

Argo

This has been a wide open category for most of the Oscar season, with films as diverse as Lincoln, Les Misérables and Silver Linings Playbook leading the field at different points in the race. Due to the many precursor prizes it has won, however, the CIA thriller Argo is expected to bring home the gold, becoming the first film since Driving Miss Daisy in 1989 to win Best Picture without a Best Director nomination.

Best Director

Steven Spielberg, Lincoln

When Ben Affleck was not nominated for Argo, the Best Director race got more interesting, as the Academy could go in any direction if they did not have to worry about a frontrunner. While Ang Lee(Life of Pi) or David O. Russell(Silver Linings Playbook) has an outside shot of winning, the prize will likely go to Spielberg for bringing the story of America’s sixteenth president to the screen in brilliant fashion.

Best Actor

Daniel Day-Lewis, Lincoln

If the five movies in this category came out in five different years, each man would be the frontrunner in his respective year. This year, however, the four men who did not play historical figures will have to clap from their seats as Day-Lewis accepts his record third Best Actor Oscar. While an upset is remotely possible, most likely from Hugh Jackman, this looks to be one of the biggest locks of the night.

Best Actress

Jessica Chastain, Zero Dark Thirty

This has been one of the tougher categories to call all season. Emmanuelle Riva’s status as a member of old Hollywood made it look like she might take it for Amour, and Jennifer Lawrence seemed to be a lock for Silver Linings Playbook until her embarrassing stints on the Golden Globes and Saturday Night Live. Jessica Chastain should take it, though, as she gives a brilliant performance in a film relevant to the ages.

Best Supporting Actor

Robert De Niro, Silver Linings Playbook

This is the most wide-open category of the night, as Christoph Waltz won the Golden Globe and BAFTA for Django Unchained and Tommy Lee Jones got the SAG for Lincoln. The goodwill for both of these films is shaky, however, leaving room for Robert De Niro to ascend the stage to claim his first Oscar in 32 years for a film that marks a return to form for him after a decade of Meet the Parents movies.

Best Supporting Actress

Anne Hathaway, Les Misérables

The other four women in this category should just be happy to be there. While Sally Field has a lot of goodwill in the industry for her work in Lincoln, this year nobody is stopping Anne Hathaway, who has been the clear frontrunner since the video of her emotionally singing “I Dreamed A Dream” hit the Internet last year.

Best Original Screenplay

Mark Boal, Zero Dark Thirty

Quentin Tarantino told a good story in Django Unchained, but the controversial language used in it hurts Tarantino in this category most of all. This leaves the door open for Boal, who expertly dramatized the hunt for Osama bin Laden and has expertly defended its controversial themes.

Best Adapted Screenplay

Tony Kushner, Lincoln

Argo has surged after its Writers’ Guild Award win, and its taut screenplay is very good. However, Tony Kushner translated Abraham Lincoln’s oratory (and Doris Kearns Goodwin’s book Team of Rivals) to the screen brilliantly, and so is likely to go home with a trophy in recognition of his achievement.

Best Animated Feature

Wreck-It Ralph

Disney’s tribute to video games will edge out the more tepidly reviewed Brave.

Best Foreign Language Film

Amour

With nominations in four other categories where it has stiff competition, this is the only sure win for Michael Haneke’s story of a couple dealing with old age.

Best Documentary Feature

Searching for Sugar Man

This feel-good story of the resurgence of folk singer Rodriguez will edge out the other four, more serious entries.

Best Production Design

Les Misérables will triumph for its expert rendering of 18th- century France.

Best Cinematography

Roger Deakins’ work on Skyfall will bring him his first win in 10 nominations.

Best Costume Design

Jacqueline Durran’s sumptuous period costumes for Anna Karenina will bring home the gold.

Best Editing

William Goldenberg’s crisp work on Argo will complement its Best Picture win.

Best Makeup and Hairstyling

The Les Misérables team will win trophies for making their cast into dirt-covered French people.

Best Score

John Williams, the elder statesman of Lincoln, will win a sixth trophy here; though he has faced a serious challenge from Mychael Danna and Life of Pi of late, good will should propel him to the win.

Best Original Song

Adele is a lock to win for “Skyfall,” and she will be helped by the James Bond tribute on the telecast.

Best Sound Editing

The Zero Dark Thirty team will win, for making the raid on bin Laden’s compound loud but not overbearing.

Best Sound Mixing

Another Les Misérables win, this time for expertly adding live singing into this movie musical’s mix

Best Visual Effects

The people who made a tiger out of pixels for Life of Pi will win the big prize for their achievement.

Best Animated Short

“Paperman,” the love story that played before Wreck-It Ralph in theaters, will triumph.

Best Documentary Short “Curfew”

Best Live Action Short “Inocente”

 

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